It was an insanely busy week for Marvel, with the schedulers
apparently losing control of their senses once again. Most of the Avengers and
X-Men books were out this week, so reviews will be split between today and
tomorrow.
Wolverine & The X-Men #44
This loose arc spanning the past few issues hasn’t been
named, but as of the apparent resolution in this issue it turns out that it’s a
pretty important comic. Well, as important as an X-Men comic can ever be I
suppose. The issue features two related plots wrapping up the Westchester
school’s involvement in the current conflict between the two mutant schools and
S.H.I.E.L.D. The first plot features the kids squaring off against the two
undercover S.H.I.E.L.D. agents and it seems to be acting as further proof of
concept for the upcoming shift in focus on this book from teaching staff to students. To be fair, this comic hasn’t focused that much on the teachers in
quite a while and I’m really looking forward to seeing what direction Jason
Latour takes Idie, Quentin Quire and Genesis in. I hope the secondary kids like
Kid Gladiator and Shark Girl get to stick around too.
The rest of the book features Cyclops and Wolverine squaring
off against S.H.I.E.L.D.’s sentinel force. It’s the first time the two have
shared panels and not been directly at each other’s throats. There’s a moment
where their argument about how Scott views himself begins to escalate and it
feels like they schism is going to widen even more. However, Jason Aaron
cleverly side-steps this, defuses the situation and has the two damaged men
calm down, even going so far as to have them share a drink. It’s a lovely scene
and reminds me of how much I miss their old relationship (even though the
current status quo for the X-books has borne some of the best X-Men stories
since Grant Morrison). I’m not sure if it hints at a softening to their
relationship, perhaps leading to the end of the schism in the not too distant
future?
The issue looks great too, with Pepe Larraz’s pencils tonally matching
what has come before. I’ll say this much for Wolverine & The X-Men- it’s
the most visually consistent X-book out there and doesn’t experience the same
art schizophrenia as Uncanny X-Men.
Mighty Avengers #5
The writing on this book impresses me enormously. Since it
was launched it hasn’t had a single issue to itself, being forced to
participate in Marvel’s two recent events, Infinity and Inhumanity. In this
issue, writer Al Ewing pays lip service to the Inhumanity stuff, sending White
Tiger and Power Man off to the wreckage of Attilan to find some Macguffin
relating to supernatural story-line that ties into the “mysterious” Ronin’s
reasons for being on the team (I’m pretty sure everybody in the world knows
Ronin’s identity is Blade at this point, right?). Anyway, all that stuff is
pretty inconsequential, with the real star of the book being Al Ewing’s
excellent character work. He writes Jessica Jones and Luke Cage perfectly.
There’s a great moment when they both punch Spider-Man in the face when they
can’t take his crap anymore. It would have been a classic moment if it weren’t
rendered almost unintelligible by Greg Land’s awful art. I can’t wait for
another artist who doesn’t trace porn stars to start drawing this book.
Shudder. There’s one particularly egregious moment where She-Hulk is supposed
to triumphantly join Jessica and Luke in their smack-down on Spider-Man, but
Greg Land just draws it with She-Hulk’s ass sticking out and slaps a generic
porno face on her. It’s depressing stuff.
Fortunately, Ewing’s writing rises above the limitations
place on him by editorial and art. There’s some really interesting thematic
stuff about the ethnic make-up of the team and I hope they return to it in the
future. Really starting to look forward to this book more and more.
All New X-Factor #2
I just want to lick Carmine Di Giandomenico’s art. It’s an
especially good fit for Peter David’s mutant team as it’s incredibly evocative
of Larry Stroman’s art in the 90s. I know you could make the argument that
Stroman could still be drawing the book (as he did occasionally during the X-Factor
Investigations era of the last few years), but the sad truth is that Stroman’s
art has become increasingly looser and just not very good. My only issue with
the new costume designs are the goggles. You don’t get to see the character’s
eyes while they’re wearing them and this can occasionally be detrimental to the
story telling. It’s a small criticism of an otherwise very pretty looking book.
On the writing side of things, Peter David continues the
slow burn of establishing the new team.
Quicksilver and Polaris are good choices. The half-siblings have a lot
of issues to work through, as well as a lot of poor choices weighing on their
shoulders. This issue hints at some of the character work that David might be
trying to get at with Quicksilver. Here he’s confronted by three characters he
previously screwed over and it doesn’t go especially well for him or the rest
of the new team. Gambit is fun in the book too, which is something I rarely get
to say about the character, who is far too often bogged down by his destructive
relationship with Rogue and his tedious links to the Guild. Here he gets to be
the debonair wise-guy. I’m intrigued to see who take up the other three places
on the team.
Still taking some time getting used to the new X-Factor costumes. I always liked the functionality of the old team's outfit together with each character having their own color scheme and accessories to make them stand out.
ReplyDeleteI definitely prefer the older costumes, but these are the least offensive of the recent new costumes. Marvel have subjected the X-teams to some awful clothes over the past while- Cable's X-Force has the single most offensive colour-scheme. That washed out orange almost gives me a headache just thinking about it.
DeleteChris Bachalo's designs over on Uncanny are also very weak. Sometimes it's impossible to distinguish between Magik and Emma Frost- his Magneto costume is the only strong design.
I personally thought the All-New X-Men looked really good in the original X-Men costumes until they had to change those to unfortunate results. I like the corporate logo on the new X-Factor suits, but it'll be some time before I get used to the design on their knees as well as those lenses. They look uncomfortable. Every time I look at them I think how sore the bridges of their noses must be.
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