Can't Remember To Forget You (Shakira ft. Rihanna)
Wooo! A contender for pop song of the Summer…except it has
been released in a gloriously apocalyptic, storm molested January. Here we have the lead single from Shakira’s
upcoming album and everyone’s favourite mechanoid Colombian is off to a great
start. This is a shamelessly catchy song, saturated with Shakira’s trademark
controlled vocals, roaring guitars and playful brass. The fact that the other
featured artist (Rihanna) doesn’t overpower Shakira’s vocal is testament the
great production of this track. This is pure distilled Shakira- it has all of her
usual tics- extensive lyrics that aren’t actually words (woo-oo-ooahh), demure
and ghostly oooh-ing and eee-ing (it’s hard to make up words for those noises!),
and an infectious, triumphant chorus.
As for the video, it’s rendered more closely in Rihanna’s
house-style, all arse-wiggling (not that Shakira has been averse to
arse-wiggling in her career), phallic cigar chomping etc. It’s all pretty
innocent and enormously tongue-in-cheek. More interesting are the call-backs to other Shakira videos, and to the videos of other pop
divas. There’s one moment that calls to mind Britney and Madonna’s “Me Against
The Music” as the pair slam and dance against the wall that separates them and
their love. Hang in there girls, your lipstick lesbianism cannot be separated
by mere plywood walls. It also evokes fond memories of Beyoncé and Shakira
sharing a similar love for walls in “Beautiful Liar.” Girl loves her walls!
A fun side effect of the video in Shakira’s native Colombia is the uproar it has caused among conservative politicians who have decried the video for “promoting lesbianism.” So, it’s a fun song AND a spot of unintentional LGBT activism.
Once Upon a Dream (Lana Del Rey
Vastly less controversial to the Colombian government (I
presume) is my other pick of the week- Lana Del Rey’s version of the Jack
Lawrence and Sammy Fain (with a little help from Tchaikovsky) penned “Once Upon a Dream” from Disney’s Sleeping Beauty. This version of the
song is from the soundtrack to the upcoming Maleficent
(a movie whose unbridled camp appeal grows greater with each newly released
publicity shot of Angelina Jolie gliding about the place).
Here, the classic Disney song is treated to an unsettling
modification. I’m not the biggest Lana Del Rey fan in the world and usually
find her music a little over-wrought, but this works tremendously well. Whatever
has been done to the original melody (it seems to be slowed down and re-written
in a minor key? Musicians, prove me wrong!), works hauntingly well. It’s
possessed of a strange quality- halfway between dreamlike and funereal- perfect
for a version of the song co-opted for the telling of Maleficent’s story.
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